Let me get to the point about this film. Paddy Considine is outstandingly brilliant in the role that should have made him an icon if anyone had bothered to see it! He is at once dynamic, dangerous, disturbing and occasionly comic. He reminded me of Travis Bickle that De Niro so brilliantly played in Taxi Driver. High praise indeed, but very deserving as we are in an age where everybody moans about British cinema without bothering to seek gems like this out. So well done to Shane Meadows, keep churning out class like this and 24/7 and you'll become a legend!! From The West Midlands
'Sentiment: Positive 🙂'
Now here's a real winner right at the start of the year 2000 UK releases. Shane Meadows building on his 24 7:Twenty Four Seven success, adding colour but not disturbing the black and white order. Watching A Room For Romeo Brass was a wonderful experience for me. On one level the majority of the cast played their parts with the provincial rudiments of a Mike Leigh social drama, but intersecting this plateau was the brilliant unfolding of the Morell character, (Paddy Considine), a splendid mixture of Bez and Ewen Bremner, and my vote for the most memorable performance at 2000 at this early stage. Go see. Ron
'Sentiment: Positive 🙂'
I had my arm twisted to go and see this and was knocked out by the unsentimental acting of the two central young characters (Gavin and Romeo), as well as the brilliant accuracy of the dialogue (uncertain, banal and lyrical portrayals of tenderness and callousness coexisting wonderfully well). But I want to take this opportunity to talk about the cinema in which I saw it. The Plaza Community cinema in Crosby is absolutely brilliant for showing this film. it is run by a highly dedicated group of volunteers, whose leader (Janet) saved the cinema almost single handed from the ravages of the developers. It shows a great variety of films and is the nearest thing Merseyside gets to the Cornerhouse in Manchester. keep up the good work Janet.